"One thing about this, the longer you last the less you care."

CinemaScope brought a whole new form of filmmaking to Fox. It was not a better brand of filmmaking either. With the new aspect ratio studio heads figured they could pack in more scenery that would impress audiences. This of course detracted from the story, but the studio bosses figured audiences would pay money for just about anything. One such example of a movie that stresses scenery over acting and story is River of No Return (1954).

River of No Return is probably one of the most frustrating movies to watch. There are talented people associated with it, but the story is severely lacking. The scenery looks nice though.

The movie was directed by Otto Preminger. He was a talented director, but it was the last movie he had to make on his contract with Fox. It looked like he was just going through the motions. There were no interesting camera movements, it was basically shot from as far away as possible thanks to the bulky CinemaScope cameras that made it hard to shoot close-ups.

Marilyn Monroe stars in the movie and if there is one thing you want with Marilyn Monroe it is close-ups. She plays Kay, a saloon singer in the Old West around 1875. She befriends a young boy, Mark. Mark’s father, Matt, played by Robert Mitchum, arrives in the small town Kay sings in to claim his son after spending a year in jail for shooting a man. Now the names Mark and Matt should tell you that the screenwriters were lazy. It is hard to tell either name apart because they are so similar. For those watching the movie they know the little boy’s name starts with an M and his father’s name starts with an M, but they don’t know who is Mark or who is Matt.

Anyway, Mitchum brings his son to live on a ranch down river that he has. Father and son get along well. Mitchum tells the boy that he will teach him to do many things, like hunt, that the boy has always wanted to learn.

Things look good for the two until a troubled raft comes downstream. Mitchum and the boy rescue the raft’s contents – Kay and her would be husband Harry. Apparently Harry has won some money downriver and has to go to the town to claim it. The raft has been totaled and he needs a gun for protection, just in case the man doesn’t want give him the money. He tries to go for Mitchum’s gun, but Mitchum says he needs it to fight Indians.

Well, the two get in a fight and Harry wins. Kay is so upset at seeing the little boy cry over his injured father that she tells Harry to go on without her. He does and she nurses Mitchum back to health. Lo and behold Indians come by and torch the ranch. With no gun, the party of Kay, Mark and Matt have to escape on the river.

What follows is a trip down a river that is supposed to be unmanageable. So the movie is a bit like The African Queen (1951), only it is much worse.

In the end, Mitchum gets his gun back. Harry losses Kay and Kay and Mitchum gain a better respect for each other. Most importantly for the heads at Fox, the scenery looked great.

"Look at Roosevelt, look at Churchill, look at old fella what's his name in The African Queen."

With hits like Niagara (1953) and Gentlemen Prefer Blondes (1953), Marilyn Monroe stepped into the big time of movies when she costarred with Betty Grable and Lauren Bacall in How to Marry a Millionaire (1953).

Actually she wasn’t the costar on the set, she was the star. Publicity men and news photographers would gather around Marilyn any time they were on the set. This didn’t sit well with the veteran actors at first, but they eventually took her under their wing and became like older sisters to Marilyn.

Besides catapulting Marilyn to the top of Fox’s box office attractions, and marking the beginning of the end of the acting career of Betty Grable, this was the first movie shot in CinemaScope. The studios were all developing new widescreen techniques to make their pictures seem bigger. The aspect ratios on CinemaScope and Vistavision and all the other widescreen forms made scenery such as mountains look majestic. Here it just makes Marilyn Monroe, Lauren Bacall and Betty Grable look bigger. That might not be a bad thing.

Bacall plays divorcee Schatze, who decides she will do it different this time around by marrying a wealthy man. She and her two friends, Loco and Pola, played by Grable and Monroe respectively, take up residence in a New York penthouse apartment. The apartment they are renting belongs to man who is in trouble with the IRS and has to flee for Europe.

So Schatze gets a deal on the place, but things don’t go well for the trio at the beginning. The wealthy bachelors aren’t flocking to their place and the bills are piling up. To raise money, Schatze decides to sell some of the furniture in the apartment.

The apartment becomes bare, but a man comes inside. Tom Brookman helps Loco bring in groceries one night. Tom has it bad for Schatze, but she thinks he is just another low-life, like her first husband. He tries to get her to go out with him, but she never returns his calls.

The trio takes a night out on the town and find three wealthy men. They don’t exactly like the men, but they are rich and that is all the girls are looking for. Schatze is with widower J.D. Hanley, played by William Powell, who happens to be much older than Schatze.

Loco becomes acquainted with a businessman with a bad temper. He takes her for a weekend to his cabin in Maine. She finds out he is married and wants to leave, but he ends up coming down with the measles. She helps take care of him and in the process meets a park ranger, Eben, who she falls in love with.

Pola ends up with an Arab oilman who is actually a speculator. She is nearsighted and refuses to wear her glasses in front of men. Monroe hated this part of the character, but director Jean Negulesco said audiences would feel more sympathy with her character if she bumped into things. He was right and audiences found her charming to go along with her beauty.

Pola ends up misreading an airport sign and gets on the wrong plane. She is supposed to be going to Baltimore to meet the speculator so they can go off and be married. Instead she ends up on a plane to Kansas City and meets a man who also wears glasses and says she looks great with glasses on. With this infusion of confidence she becomes interested in the man.

The three gather once more when Schatze announces she is going to wed J.D. despite the age difference. At the wedding it is revealed that the younger Tom might be a better match for Schatze. J.D. respectfully bows out to Tom and Schatze marries him despite her better judgment.

The final scene occurs at a hamburger stand where it is learned that Tom is actually a very wealthy man. Schatze and her friends can’t believe it. They faint and the movie fades to black.

Writer Nunnally Johnson was capable of providing some funny stuff. There are flashes here, but nothing gut busting. The real reason to watch this movie is the three women who star in it.

Diamonds are a girl's best friend.

There might not have been a better screen tandem, at least for males, than Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes (1953). The two were well known for their sex appeal. Russell was brunette. Marilyn was blonde. Their effects on men were the same though.

Groucho Marx remarked that the movie Double Dynamite (1951), in which he starred with Russell and Frank Sinatra, was so named by Howard Hughes in honor of Jane Russell’s breasts. Considering there is no dynamite in the movie and the metaphorical meaning of the title could be lost on most audiences, Groucho might have a point.

The two got along brilliantly on and off-screen. Marilyn had a tremendous inability to get to places on time. Jane would stop by her house every day and drive her to the set so she would be on time. Marilyn was involved in Freud at this time and she tried to get Jane to read some of his work. She didn’t quite take to it. She was more religious and tried to help Marilyn find a religion. Marilyn didn’t quite take to this either.

Gentlemen Prefer Blondes is a musical. Musicals aren’t typically known for their plot. This one revolves around Marilyn and Jane who are best friends. Marilyn is Lorelei Lee, a blonde who covets diamonds and money. Jane is Dorothy, a brunette who is more concerned with true love rather than material love. Lorelei and millionaire geek, Gus are planning an engagement. Gus’ father is not too happy with Lorelei’s lack of brain power. When the two showgirls head out for a European tour, Gus’ father sends out a detective to spy on Lorelei. Comedy and music fill the voyage across the pond. Charles Coburn is wonderful as Sir Frances Beekman “Beekie” to Lorelei. He is a rich man who is enamored with Lorelei’s beauty. She in return, is enamored with the diamonds his wife possesses.

But like in all musicals, it is the music that matters. Three songs from the movie still survive today. “I’m Just a Little Girl from Little Rock,” “Bye Bye Baby,” and most famously, “Diamonds are a Girl’s Best Friend.” The later is most associated with Marilyn, but the version we all know was sung by Jane Russell in the movie. Still the Technicolor rendition of Marilyn’s version is most frequently replayed when Marilyn Monroe tributes occur on T.V.

The three songs were all taken from the Broadway musical of a book written by Anita Loos. Carol Channing performed the role of Lorelei on the stage. Some believe that Fox missed out when they didn’t get one of the greatest musical performances ever on film by not casting Carol Channing. But Anita Loos stated that Marilyn was the perfect Lorelei.

The only original song included for the movie was “When Love Goes Wrong.” The two actresses did a brilliant job on the number. Audiences came to like it as one of the best in the movie.

With the success of Gentlemen Prefer Blondes came the ultimate success for any actor. Both Jane Russell and Marilyn Monroe got to put their foot and hand prints in the cement in front of Grauman’s Chinese Theatre. Legend has it that Marilyn said instead of hand and foot prints, the two should have placed their breasts in the wet cement. Anyways, Marilyn put a diamond over the “i” in her name. It was stolen a few days latter. Today a rhinestone is in its place.

"Why should the Falls drag me down here at 5 o'clock in the morning? To show me how big they are and how small I am?"

The big break is something every actor is waiting for. Today it is amazing to think of some of the movies yesterdays Hollywood stars appeared in that were considered their “big break.” For Marilyn Monroe that movie is Niagara (1953). This is surprising because it is not a typical Monroe vehicle. It is not a comedy and her character does little to arouse sympathy in the audience.

There are two things about this movie that make it different from other Monroe movies and would be duplicated throughout the rest of her career. These two things are what make Niagara the break-out movie for Monroe. First, this is the first time she appeared in Technicolor. After seeing the rushes Marilyn wanted a clause in her contract stating that she could only appear in color movies. After seeing the box office returns, Fox gladly accepted. She was made for color movies. The difference between her in color and her in black-in-white is startling.

Secondly, the movie brought Marilyn’s famous walk into movie theaters across the country. Although she never got the big commotion made over her walking style, male audience members had no problem trying to dissect it. On the first day of shooting, director Henry Hathaway stuck the camera right behind her and had it follow her as she walked around a tourist overlook at the Falls.

These two firsts in Marilyn Monroe films helped make her a superstar. She had already been a hit with audiences, but this movie made the studio heads at Fox notice that she was also bankable in a starring role. Today the movie is still loved by Marilyn Monroe fans. I am not one of these though. I struggle with reasons why. Perhaps it is because this is a movie based around murder and the movie is just not tight enough to hold audiences in constant suspense, like an Alfred Hitchcock movie.

Speaking of suspense and Alfred Hitchcock, Joseph Cotton stars opposite Marilyn here. The veteran actor was probably taking a step down when he appeared in this picture. He had been with Orson Welles in Citizen Kane (1941) and The Third Man (1949). He had also worked with Alfred Hitchcock in Shadow of a Doubt (1943) and Under Capricorn (1949).

Here, Cotton plays George Loomis, a retired solider who has just gotten out of a mental hospital. His wife, Rose, played by Marilyn, believed that it would be good for him to take a trip to Niagara Falls in order to rekindle their marriage. This doesn’t happen and Rose becomes bored with George. She decides to take up a new lover and secretly meets with him while George struggles to find some path in life.

She plots with her lover to have George killed. The plot nearly works as the idea is to have George pushed over the Falls. Someone is pushed off, but it isn’t George. The lover dies and George realizes that Rose wanted him dead. He sets off on a path to kill her.

George and Rose’s relationship is contrasted by the Cutlers, Ray and Polly, a couple who is on their second honeymoon/business trip as the headquarters of Ray’s office is located just across the Falls in Canada.

The Cutlers are probably a big reason why I don’t like the movie. They are static characters who have not aged well. It is hard to watch when they are on-screen. It is also hard to watch Joseph Cotton. He is a much better actor than this. Not enough time is given to his character, which is why there seems to be a lack of explanation for the things he does in the beginning. Marilyn Monroe, however, looks great and steals the show, like she did in every movie she was in.

It wasn’t the most memorable movie, but it was the beginning of superstardom for Marilyn Monroe. The movie is special for its place in her career. It also features some firsts that would later be used to great success in some of her future movies. Although she does die in this movie -- something that would not be repeated in another one of her pictures.

"What's a confidence man without confidence?"

Short stories typically make good movies. At least that is the belief of many directors as, unlike a novel, short stories are meant to be read in one sitting much like a movie. The problem with short stories though, is that they tend to be too short for movies that run 90 minutes, unless the screenwriter decides to add something more to the story. In 1952 Fox decided to make a movie that is a combination of short stories. The movie, O. Henry’s Full House is much like watching a series of anthology television episodes. The only real difference is that there is someone, John Steinbeck, who introduces each of the O. Henry short stories before we see it onscreen.

Fox brought out all the star power it had for this collection of shorts from the master of the unexpected ending. John Steinbeck introduces each story, as mentioned above, by pulling out a book from a bookcase and reading the first few sentences in the O. Henry story before we fade in to the visual story.

The first of the five stories shown is called “The Cop and the Anthem.” It stars Charles Laughton as a bum who wants to get arrested so he can spend the winter months in a warm jail cell. He tries to do everything he can to get arrested. He breaks a window, he attempts to assault a police officer but ends up tripping himself, he even orders a huge breakfast and doesn’t pay for it. All these attempts end up not working. Marilyn Monroe makes a brief appearance as a streetwalker, who Laughton attempts to pick-up. This attempt also fails. Finally Laughton stumbles into a church where he is so moved that he decides he does not want to be arrested, but rather he wants to become a working member of society again. He exclaims that he has seen the light. As he does this, a cop walks by and arrests him for loitering.

Henry Hathaway directed the next installment, called “The Clarion Call.” Here a police officer discovers the suspect to a murder, but since the two were friends, and the murderer has some knowledge about the police officer’s past that isn’t too good, he is unable to make the arrest.

Finally the cop asks his former friend if he could pay him to turn himself in. The murderer says sure, knowing that the cop can never afford the price on his petty salary. The murderer plans on getting his former friend back into the other side of the law. But this plan fails when the friend brings the money to the murderer, who is arrested. The murderer wonders why this happened and the cop explains that a local newspaper was offering a reward for the exact amount agreed upon.

“The Last Leaf” is one of my favorite O. Henry stories. It is brought to life by director Jean Negulesco, Anne Baxter and Jean Peters. The story revolves around two sisters. One who it appears is on her death bed, the other, Anne Baxter, who will not allow her to die. Baxter enlists an upstairs neighbor, who is a wannabe painter, into her fight to make her sister believe that she isn’t dieing. The sister believes that when all the leaves outside of her window have fallen, she will die. Baxter and the doctors know this is not going to happen, but her sister still believes this. It takes some work, but after a rough and brutal night, the sister lives. Amazed at what has happened, the sister asks to see out the window. The window shade is opened and there is one leaf remaining on the branch. Or so it seems. The old painter happened to spend all night outside painting the leaf perfectly so that it would match. The joy of the sisters is interrupted with the news that the painter had caught pneumonia and died.

“The Ransom of Red Chief” is directed by Howard Hawks and written by Nunnally Johnson and Ben Hecht, so it is going to be funny. This humorous tale is about two city thugs who believe it is easier to commit crimes in small towns. They ask around a small town in Arkansas about who the richest man in town is. When they find out who it is, they decide to take his young son and hold him for ransom. This is a great idea until they meet the son, who is too much for the city thugs to handle. The parents are overjoyed that their son has been taken off their hands. They refuse to pay the ransom and demand that they are paid in order to take their son back. The city thugs agree to this, but the son, “Red Chief” as he likes to be called, has taken a liking to them and refuses to go. The thugs are finally able to leave the boy, but they head out of town a lot poorer than they were.

The final story is probably O. Henry’s most famous, “The Gift of the Magi.” It is Christmas time and a struggling young couple has to decide what to get the other for Christmas. The wife has great flowing hair, so the husband decides to get her some combs that she has always wanted. The husband has a great gold watch, so the wife decides to get him a gold chain to match the watch. In typical O. Henry style, the wife sells her hair to buy the chain, while the husband sells the watch to buy the combs. It is the spirit of Christmas at its best.

O. Henry the man was an interesting person. O. Henry the short story writer was one of the best America ever produced. This movie is a fitting tribute to such a great storyteller.

"Mr. Oxley's been complaining about my punctuation, so I'm careful to get here before nine."

The screwball comedy genre was at its peak in the 1930s. The master of the screwball comedy was Cary Grant. His proper English accent and refined manners went perfectly with scripts that were absurd. By the time 1952 rolled around though, Grant was known equally for his comedic abilities and his dramatic acting skills. Monkey Business (1952), not to be confused with the Marx Brothers movie of the same name released in 1931, is a return for Grant to the genre that made him famous.

Howard Hawks was brought on to direct the picture. Like Grant, Hawks was capable of directing both great comedies and outstanding dramas. Hawks had the distinction at this time as being one of the few Hollywood directors who was not typecast, such as John Ford and westerns. Hawks made westerns, film noir, screwball comedies and just about anything else.

Playing opposite Cary Grant was the great musical actor, Ginger Rogers. The two are great as Barnaby and Edwina Fulton. Our story revolves around the couple. Barnaby is a scientist who is working on a drug that will make people young. The idea of becoming young through a drug or potion seems to be a popular one even today.

Barnaby believes he has found the correct formula. His absent mindedness prevents him from remembering just what it was though. Luckily for him chance, and a screenwriter, helped him out as a monkey in the lab decided to mix some chemicals together and then pour them into the water cooler. This concoction is just what Barnaby was looking for. He takes a sip from the tainted cooler and immediately acts young again.

He no longer needs his glasses. He runs out and buys a sports car. He takes his bosses secretary, Lois Laurel, played by Marilyn Monroe, on a joy ride. The two go swimming and roller skating together and Barnaby even gets a young man’s haircut. All this thrills Barnaby and Lois. It frightens his boss, Mr. Oxley. It disgusts his wife Edwina, who becomes very jealous of the relationship Barnaby and Lois have.

Of course since the formula was not discovered by Barnaby, but actually present in the water cooler, anyone has access to the formula. Edwina is the next to become young after Barnaby regains his age and poor eyesight. She becomes a young troublemaker who wants to relive her honeymoon night with Barnaby. Of course the couple spent their honeymoon down in La Jolla. Barnaby does not want to make the long drive down, but Edwina insists and the couple speeds down the coast.

When they arrive at the hotel, Edwina finds out there is a ballroom where swing dancing is going on. Of course she wants to do this and the aged Barnaby can not keep up with the teenage acting Edwina. This allows the audience to see Ginger Rogers dance though, which is something everyone expects when they see a movie with Ginger Rogers in it.

After some troubles that night, in which Edwina calls her mother and old boyfriend and wants to divorce Barnaby, the effects of the potion wear off. Edwina and Barnaby make up, but the damage Edwina did to their relationship that night still has to be resolved as her mother and former boyfriend along with the press are at their house when they arrive around midday.

From here the formula for the potion is torn up by Barnaby, as he feels the public is not ready for such a drug. Of course we know the reason why everyone is behaving so oddly is because of the water cooler. This is lost on Barnaby and Edwina. They both turn younger and it is up to Mr. Oxley to try and find out what the formula was from the young Barnaby so that he can make his own transformation as well as a ton of money by marketing the product.

The movie ends, as most screwball comedies do, with a huge climatic scene filled with zaniness. Then everyone lives happily ever after once the problem, in this case the tainted water, is discovered and rectified. The water is poured out and the cooler cleaned so nothing like this would happen again.

Although the stars of the movie were Cary Grant and Ginger Rogers, Fox made sure Marilyn Monroe appeared in as many advertisements as possible. At this point she was a hot commodity with fans and a huge moneymaker, no matter how much studio executives doubted she had talent. It would still be a couple more pictures before the studio would decide to let her star in a color picture, but the rise to stardom for her was certainly moving faster than it was even a year prior to this point.

The same old story

Couples who think they are married, but really aren’t, is a storyline popular among Hollywood farces. Classic Hollywood has dealt with this subject many times. Even a director like Alfred Hitchcock made a movie using this storyline with Mr. and Mrs. Smith (1941), not to be confused with the Angelina Jolie and Brad Pitt movie.

Fox decided to make a movie along similar lines about a decade later with the aptly named We’re Not Married (1952). The twist here is that there is more than one couple that isn’t married. So instead of focusing on the decision one couple will make, to remain married or go their separate ways, we get to see five such couples. A short movie like this does not allow time for deep character development though.

Bumbling justice of the piece Melvin Bush ends up learning that he did not have the authority to marry five couples when he believed he was justice of the piece. He in fact had not been approved and only discovers this mistake two years later. So he has to send out letters to the five couples in order to tell them they aren’t married.

Ginger Rogers appears as Mrs. Steve Gladwyn. The Gladwyns were the first couple the justice married and they have ended up despising each other, despite appearing in the opening scenes as a happy couple. They eventually decide to remain married in order to keep their lucrative radio show, in which they give advice to other couples, on the air.

Marilyn Monroe is a beauty contest winner. She earns the title of Mrs. Mississippi. When she learns that she isn’t married, she faces the probability that her crown will be lost. This doesn’t deter her though as she decides to compete in the Miss Mississippi pageant, which is much more prestigious. Her “husband” and baby look on in delight, as do hundreds of other males, when she wins the Miss Mississippi crown.

The best comedy of the movie occurs when the “husband” Jeff Norris overhears someone admiring his “wife’s” looks. He asks the man if he likes what he sees. The man replies yes. Then Mr. Norris explains that the woman the man so likes is his wife. The admirer is embarrassed, but Mr. Norris says it is alright. He has to get used to it. This is something Joe DiMaggio never got used to when he married Marilyn Monroe.

The Melrose couple is composed of Louis Calhern and Zsa Zsa Gabor. Calhern is a wealthy businessman who has Gabor as his trophy wife. Gabor decides that she will divorce Calhern to get half his estate. Calhern hates this idea, but when the letter comes stating that the two aren’t married, he goes along with the plot. He gets the last laugh and Gabor ends up fainting when she finds out they were never legally married.

The movie spends most of the time on Monroe and Rogers, as they were the two Fox players in the movie. The other two couples are not developed well enough and don’t contain the name power like Louis Calhern and Zsa Zsa Gabor do.

Nunnally Johnson, who was good friends with Groucho Marx, wrote and produced the movie. Unfortunately, there are no Groucho Marx moments here. The pacing is stilted and the characters are not completely developed. This wouldn’t be the last time Johnson and Monroe would work together. They teamed up again on How to Marry a Millionaire (1953). Johnson wrote and produced the movie, but could not stand working with the new star Monroe. As for this teaming up, the movie has some bright spots, but not enough to warrant more than one viewing.